Alumni Feature: Dawn Crandall Bradbury

Being a one season age-out, affectionately known as a “rook out”, is challenging in its own right. Regardless of being a one year member or a super vet, the experience of being a Bluecoat is life long.  We feature this month 2000 Contra (tuba) “rook out” Dawn Crandall Bradbury.

Q: What was the show that made you want to be a Bluecoat?

A: I have loved the Bluecoats since the summer of 1995. Their Homefront: 1945 show touched me every time I saw it.  I decided that summer, that one day, I would be a part of this group. I was marching with a Division III corps, and one of our staff members had aged out with the Bluecoats. She talked about the organization very highly, but for me, it was always about the music. I loved the style, the jazz, the sound.

Q: Where did you grow up and where do you live now?
A: I live in central Illinois, and have for my whole life.

Q: Why did you make the jump from your former corps to the Bluecoats?
A: I was with my small corps for five summers, and after two years off, my age out season was staring me in the face. I knew that it was literally now or never. I was never going to have another chance, so I plucked up the courage, and along with my best friend, I went to Canton to audition.

Q: But the musical style of the corps you fell in love with suddenly changed when you auditioned.  Yet you stayed on.
A: Imagine my surprise to hear the music that we were going to play that season. The style was different, it didn’t swing, and I was sad. But I was also committed. It was my last year, and I was going to give it everything I could to be a part of that corps. One of the happiest days of my life (up to that point) was when I was offered a contract.

Q: How did you approach auditioning for the 2000 corps?
A: You see, I never learned to read music fluently. So, the off season before 2000 meant a crap load of practicing for me, and a crap load of memorizing. Just the thought of an on-the-fly music change terrified me! I knew I could march and I knew I had the mental stamina to endure, so I learned every note on every page of everything we ever played and prayed that nothing new would be introduced!

Q: How did your single season with Bluecoats impact you?
A: The summer of 2000 was an amazing adventure for me, and it’s one that I dream about to this day and every year.  This organization is fulfilling a promise — one that I like to think was fully enacted in 2000. The Bluecoats are always up for a challenge, even when that means changing everything. This is a corps that will provide you with an experience to last a lifetime, a program that you will fall in love with, a staff that is capable of adapting to this ever-changing activity known as Drum Corps, and a family. I couldn’t be happier to be a part of that.

Q: How do you feel looking at the corps a decade and a half later?
A: When I watch the corps now, all I can think about is how, in some small way, I am there with everyone. I’m on the field with all of those kids who are impressing the hell out of me every day. I smell diesel fuel and I’m transported to a parking lot filled with buses… and friends. The smell of freshly cut grass makes me so nostalgic for long rehearsal days, it’s almost like I forgot how crappy some of those days were.

I am so proud to be able to call myself a Bluecoat… even if I’ll never know if I made the corps because I was legitimately good enough, or if the talent pool just wasn’t very big that year. But honestly, I don’t care.

Q: How did marching with Bluecoats shape your future?
A: My career is nothing special, but I think I have a good spin on it.  I have been a server at Red Lobster for the past 14 years.  I have never felt very upwardly mobile as far as my career goes, but I think being a part of the Bluecoats has given me a lot of determination and perseverance.  Marching corps has also helped me figure out, and has given me the strength to pursue, being the kind of person and parent that I really desire to be.  

Q: How did drum corps shape you in terms of your own family?
A: I have four children and I have always known that I want to give them a good life — not the kind of life where they get everything they ever ask for, but the kind of life where their parents are available to them as much as possible.  So my philosophy in life is to work as much as I need to, so I can spend as much time with my kids as I can, because that’s what I really want to do. So if base success on memories made, my success is immeasurable!

The Legend of the Silver Penny

Legend of the Silver Penny

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Ken Fanti’s “change”

For members of the Bluecoats, your first real arrival into the ranks is when you are given your blue shoelace.  All winter long rookies see coins jangling around the necks of veterans on that blue shoelace.  This year the shoelace, and the change that comes with it, turns 25 years old.  Members of the Bluecoats who complete a season receive a silver penny from that year to wear on a blue shoe-string lanyard.  Like many corps traditions, it has evolved over the years.  But unlike tradition, it has served to tie together generations of Bluecoats who were not part of the original tradition.

Originally published in the Blue Review Newsletter in the Winter of 1995, Seth Hamstead (soprano, 1992-1996) wrote about how the tradition began:

Tradition. It binds people together and makes them feel like a part of a group. Such a simple concept, yet so hard to establish.  Who starts a tradition anyway?  When you ask a person why they are putting up a Christmas tree, they will usually respond that it is tradition.  Ask them who started that tradition, and they probably won’t have an answer.  Nobody knows the name of the first guy back in Germany to have the bright idea to put a live tree into his living room and decorate it with ornaments.  Little did he know that he started a tradition that would span centuries.

Back in June of 1992, in Normal, Illinois, the Bluecoats tried to start a tradition that would bind together the members of the corps and hopefully put an end to the large turnover in membership that the corps had experienced in the last couple of years, and they succeeded.

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Scott Miller’s status as a rookie is easy to see with his bare shoelace during the season

A rather simple tradition, it is merely composed of a shoestring and a penny.  Now mind you that this is no ordinary penny, but a silver one, and the shoestring that it is placed on is blue (for obvious reasons). Each first year member, “rookie” as most of us affectionately call them, receives their shoestring after their first performance as a symbol of truly becoming a Bluecoat.  The penny must wait until later.  The pennies are given out on the day of Finals as a sign of the end of the season, a reward for surviving the game and a remembrance of the struggle to achieve excellence.  The penny is from the year that you have marched, and multiple year veterans start to have small collections that could only otherwise serve as change for a nickel.

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Scott Miller’s original 1992 penny after the season

The penny means something different to every member that possesses one.  What does unify us is the love for the one cent piece and all that it stands for.  I look at mine and see the sweat that was given for an eleven and a half minute show, the feeling of forty thousand people giving you a standing ovation after you have just given them all that you can and wanting to give more, the close friendships that result from spending every second of the day for ten weeks with the same people that you would never have known otherwise, and the gym floors that were probably never intended to be used in the fashion that you used them.  Basically, I see my love for the activity and above all, my love for the corps that brought me to it. 

What do you see?

In 2012, Chris Miles, drum major in 1992 and one of those who started the tradition, reflected on how it all began:

Back in ’91 I remember, towards the end of the year, that the corps didn’t feel like one unit – not like the year before. I just remember wanting the same feeling I had in 1990. I wanted rookies to feel like they found a new home and for vets to always know they belong to a good one.

I had also noticed Cavaliers had a necklace with the gears on them: a gear per year marched. I thought it was awesome you could recognize them in and out of uniform. I also thought it was cool that they had something to recognize the years they marched. So at the end of the year, I kept trying to think of something that would be similar but distinctly different for us and might bring us together more. I discussed it with a few people after finals, but nothing really came of it.

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Pennies under Nick Chastain’s uniform

As the winter camps continued I talked to Andy Bugosh (the other drum major that year) about my silly idea. I am glad I did because he helped a lot in making my idea a reality.

I just remember we wanted everything to be cheap. Otherwise, we would not be able to do it that year or make it something repeatable. I forget who exactly thought of the penny and the shoelace. I think it was Andy or possibly by committee in those late nights at Walsh but it wasn’t decided till late May or right before Hell Week.  The pennies even matched with the fact that we were doing Penny Lane that year. Hokey…yes, but nonetheless pleasant there was a reoccurring theme of sorts.  Andy came up with the idea on how to tie them, I’m pretty sure.

Andy and I decided to wait till the first show to hand them out, and to have rookies (along with everyone else) get their new penny at the end of the year. It didn’t make sense to us that people get a penny for a year they hadn’t marched yet. Also, if someone left early or came late, we didn’t have to worry as much about who did or didn’t get a penny. 

I am really happy that I helped to make a tradition in an organization that I truly love, and that tradition still happens today. I also want to thank Andy for all his help and anyone else who was a part of this that I didn’t mention.

By 1997 some members started to use links from the chain on the helmet to attach the pennies to the shoe-string.  Brian Carr, a 1997 soprano, said of the tradition: 

In ’97 some of the sopranos had helmet links, but I’m pretty sure it wasn’t a sanctioned thing… I have 3 links on my string, one for each penny, but I honestly don’t remember where they came from. I know there was no ceremony involved.

By 2002, the helmet chain link had been integrated into the tradition.  The pennies also turned into a seniority concept for procedures such as selecting your bus for summer tour.

As the international flavor of the corps increased during the early 2000’s, members from other nations would bring and use their nation’s penny equivalent to add to their chain. Other members, as a show of friendship, would also use those nation’s pennies on their chain.

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Eric Humbert Story’s pennies

According to Eric Story, member from 2007-2011 (drum major his final three years), added:

In 2009, during pre-move ins at our membership leadership meetings, it was decided that you can wear all the foreign coins that were given to you on your shoelace with your penny/pennies, however the only stipulation was decided that you can have one link on your shoelace per year, and all coins you got for that year (should you wish to wear them all) go on the same link.

The use of a nickel, to represent five years as a member, began around 1998 but had been talked about as early as the first year in 1992.  Kelli Carlson, a guard member from 1994-1998, and staff in ’00 and ’01, remembered, “I got a nickel in 98… we joked about it long before.”  John David Mayo, a member in the mid 1990s and Drum Major in 1997 and 98, attributes the nickel part of the tradition to Mike “Canuck” Fanning.  This component still remains, as Eric Story continued, “[Today] you wear all 5 of your pennies, and on top of that wear your nickel.”

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Pre-1992 alumni Mike Newsom, Michelle Newsom and Mark Newsom sport their pennies at the 2012 reunion

This tradition is not solely for those members from 1992 and beyond.  Alumni from any year now sport the pennies.  Those who come upon the tradition today are welcome to visit the corps’ souvenir booth, which has silver pennies available for members who marched prior to 1992.  All any alumni of the corps need to do is inquire at the souvie booth and obtain their respective pennies.

In 2017 those rookies to the Bluecoats will see a new piece of jangle added by members of the 2016 Bluecoats to the blue shoestring-lanyard: a championship ring. 

Alumni Feature: Celeste Cooning

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Celeste Cooning (foreground)

Celeste Cooning marched in the Bluecoats color guard from 1994-1998. Originally from Warsaw, Indiana, she now calls Seattle, Washington her home. A graduate of Indiana University and University of Washington, Celeste is a visual artist working predominantly in cut paper. Her work has graced the Seattle-Tacoma Airport, Starbucks, Seattle’s Jackson Park, Zoe Juniper Dance Company, and Kinesis Project in NYC. (more…)

Alumni Feature: Kevin Armbruster

Kevin Armbruster got his drum corps fix started before age 10, when the Marion Cadets sent their feeder corps to nearby town for a parade.  Kevin was hooked, and drum corps was in his future plans even at a young age.  Fortunately for the Bluecoats, Kevin’s family soon moved to Canton, Ohio and a lo and behold, new drum corps was starting up in 1972.  The McKinley High School band member jumped in with the corps playing soprano. (more…)

Past Directors react to Championship

Recently one of our Founders, Ralph McCauley, was delivered a surprise at his home: a 2016 Championship ring.  Daughter, and former member, Beth McCauley shared the news and pictures for alumni (see right).

While hundreds of young prospects hit the floor in November to audition for the 2017 Bluecoats.  We take this moment to look back at what our former directors had to say about winning a World Championship in 2016.

  • Ralph McCauley (one of the Founding Fathers and retired Canton Police Officer)
    It’s been a long, uphill struggle but we finally did it.  I am very happy and excited to be the 2016 DCI World Champs.  The thing that I am most proud of are all the members – from 1972 to the present time. I have seen this corps produce attorneys, police officers, doctors, dentists, teachers, drum corps staff and many more professionals who have become role models in their community. I’m proud of all our volunteers now and in the past, plus the original Ghetto Bug Gang (Ernie Adams, deceased) that I drove for several years, big white wall tires and all.  Love You All.
  • Kevin Armbruster (original member, former instructor)

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    Kevin Armbruster, 1987

    2016 was a season dreams were made of for sure.  We never could have imagined the things being done on the field by the 2016 corps when we were marching in the ’70’s, but we always dreamed the big dream. Who would have ever thought a group that started with such humble beginnings, practicing in a Police Boys Club with the drum line in the two-lane bowling alley, would change the drum corps world with such a progressive, yet relatable, show. What other corps survived two folded seasons to reach the top of the mountain?

    In the ’80’s we struggled to rebuild and had peaks and valleys of success but always still had the big dream, although the dream seemed closer as the decade came to an end and we finally broke into finals in 1987.

    At last, the big dream came to life, courtesy of the 2016 version of the corps! I am one of many extremely proud alumni who was honored to be photo-bombed by the entire corps for the alumni photo at the Hall of Fame show…a very cool moment!

    Thank you to the 2016 World Champions for such a memorable summer!

     

  • Ted Swaldo, 1992

    Ted Swaldo (former director)
    In 1984 I had a dream that someday the Bluecoats would win the World Championship . Little did I know it would take 32 years . It was a great victory and judging from the crowd response the vast majority of spectators were rooting for us. We have fans all over the world.  

    This victory is a tribute to all the volunteer , alumni  and staff who helped build the Corps foundation .  And I can’t tell you how proud it makes me to see the Alumni perform !  It brings back a lot of great memories . I have seen the benefits of belonging to the Bluecoats and see what fine young adults all of them have become. I hope in some small way I contributed in their growth and maturity.  Together we defined the Bluecoats’ personality, image and value system – but it took Dave and Genevieve to make World Champion a reality .  They have guided this organization for the past 13 years and are responsible for today’s success. Dave’s management style and professionalism has built a staff that is the best in Drum Corps. Also, all of the marching members were extraordinary!  While us old timers bask in the glory of winning the Championship, let’s remember to thank the current director, his staff, the volunteers and current members for a remarkable season. I can’t wait to see what this design team offers next year.

    I personally want to thank Doug Thrower for his 25 years of service .  It is hard to believe he wrote this years show and the Beatle’s show. That exemplifies the growth of this organization.

    Go Blooooooo. 

     

  • Larry Hershman, 1988

    Larry Hershman (Program Coordinator)
    In addition to congratulating this year’s staff and membership, there are a few other acknowledgements from me.  First to the people who marched 86/87, thank you!  You drove the transition from hometown corps to the national recognition.  Second, to the people who didn’t leave the corps after 1999 and marched in 2000, thank you!  Your dedication set the stage for what finally happened this year.  And finally to Dave Glasgow who lived through 1999/2000 and learned from it.  Dave you were named DCI Director of the Year in 2014 and while that is something to be proud of, it falls short.  You are the Director of the Decade!

     

  • Bill Hamilton (Original member, Instructional Staff, former Director)
    A lot of history was going through my mind that night.  I remembered what it was like to have the goal of merely getting a corps on the field, to making the top 25 to making finals, to placing in the top 6.  When I was marching, we always thought there was something different about the corps at the top.  But now, 6 words….I remembered the struggles and disappointments of 79 and 83, and also the passion and commitment of our founders, Art, Tom and Ralph.  Standing next to the trophy was surreal and the impact probably hasn’t hit me yet.
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    David Glasgow (current Director)

    To think of where our organization has been in various points of our history, from folding twice to, to starting the 1984 season with a dozen some members in a gym playing basketball, to be where we are today is an amazing feeling.  It’s truly a testament to EVERYONE who helped us get here – all of our alumni, all of our former staff & volunteers and of course our outstanding group of people currently associated with the Bluecoats.  All that said – we are not done!  Plans for 2017 are already in motion!”

 

Bloo Christmas Scholarship Drive!

bloo-xmas-final-jThanks to those who over the past week donated to the #bloo17 Scholarship Drive! We raised a nice amount for those members who may be financially in need for this season and in the process got a little something for the stockings over the chimney!

Rhythm IN BLUE announces 2017 plans

Bluecoats Rhythm IN BLUE Announces Exciting 2017 Organizational Structure 

rib-logo-program-of-gold-hi-res-jNovember 1, 2017. The World Champion Bluecoats alumni performance organization, Rhythm IN BLUE has announced its organizational structure and plans for 2017.  Rhythm IN BLUE is comprised of three performance ensembles, the all-alumni, summer performing Legacy Arc, a locally produced small music and visual ensemble called Curbside and a growing DCI SoundSport group.

Jay Wise, who enters his fourth year as the Director of the organization, will produce the Curbside and SoundSport ensembles.  Taking over for Wise as the Artistic Director of the Legacy Arc is Kimberly Schillaci-Wise.  Wise shared the reason for the leadership change, “Every year we have grown a portion of the organization and it has become harder for one person to provide the right leadership for all three groups.”  The alumni-based series of ensembles are staffed by alumni on a voluntary basis.

“Kim was a natural, and logical, choice to take on the Legacy Arc, most established of our groups.”  The Legacy Arc performs twice each summer at the Bluecoats home DCI shows in June and August.legacy-arc-logo-j  “She is a Band Director, and also serves as the Executive Director of the NBA Charlotte Hornets’ in-house entertainment group The Buzz City Brass.  It was the right combination of experiences to lead our biggest group.”   

Schillaci-Wise marched mellophone with the Bluecoats from 1992 to 1996, then became part of the corps’ administrative team during the 1997-1998 seasons.  She shared, “I am very excited about this opportunity to organize alumni to honor our past, entertain the home crowd, and to give back to the Bluecoats’ organization.” Joining Schillaci-Wise on staff for the Legacy Arc are the Caption Heads from 2016, Shelly Irvine (Percussion), Charles Vidourek (Brass) and Nancy Johnson (Guard).

In 2017, Rhythm IN BLUE’s Legacy Arc seeks to honor the 40th anniversary of the first corps song, Bridge over Troubled Waters and the 30th anniversary of making DCI’s top 12 with current corps song, Autumn Leaves.

curbside-logo-jJay Wise will devote increased attention to the other two Rhythm IN BLUE ensembles. “Our Curbside group has provided a fantastic link between the Bluecoats name and the Canton area community.  We have performed at area events the Bluecoats are unable to because they are either on tour or in their off-season.”  Curbside performs about 10 to 12 events each year, including the Pro Football Hall of Fame Marathon, the ALS Society charity walk, the Leukemia & Lymphoma Society Light the Night walk and downtown Canton’s Light up Downtown holiday festival.   “We are looking at ways to increase our outreach in the community in ways beyond just performing,” said Wise, “there are some exciting possibilities we would like to explore.”

The Rhythm IN BLUE SoundSport group looks to expand upon its 2016 debut.  “We pretty much decided early in the summer to go to Indianapolis to perform to both check out the SoundSport activity but also to cheer on the championship run of the Bluecoats,” Wise shared. “This year we are looking to add movement to half of the 7-minute show to give us a more corps-like look.” rib-and-soundsport-logo-jHe continued, “it’s a big challenge for an alumni base of performers from around the country who will only be together for a brief amount of time, but it’s also going to be a lot of fun!”  The SoundSport group hopes to perform at least four times in the summer of 2017.  Andrew Whitman will design the visual package for 2017 and assist with music.  The remainder of the SoundSport staff will be filled in early 2017.


Rhythm IN BLUE was founded in April 2014, performing originally at the 2014 Bluecoats Innovations IN BRASS DCI show and then three times after that by the end of the Fall. In 2015 the organization expanded to add a year-round small ensemble and in 2016 added a DCI SoundSport group that in its first appearance achieved Silver Medalist status the morning of DCI World Championships in Indianapolis, Indiana.  Rhythm IN BLUE is a program of the Bluecoats.

Visit Rhythm IN BLUE on Facebook: https://www.facebook.com/rhythminblue.canton/

Alumni Feature: Bob Rohrbaugh

Bob Rohrbaugh marched in Bluecoats from 1974 to 1977.  His first performance was the Bluecoats’ first judged competition and Bob’s last performance was the corps first DCI prelim appearance in Boulder, Colorado in 1977.  Bob notes many fond memories from those beginning years, but a few stand out.  (more…)